As autumn deepens, there is a place that becomes covered with a breathtaking 'golden carpet.'
The 'Shingu Kumano Shrine' in Kitakata City. I have personally experienced a pilgrimage to the Kumano Sanzan in Kishu (Wakayama Prefecture), and I feel a special affinity for this shrine that enshrines the same deity.
For many years, I often visited in autumn to see the "Great Ginkgo Tree Light-Up," but the true charm of this shrine actually lies in the "mysterious giant architecture" quietly standing behind the ginkgo.
This time, let's explore the mystery of the unique architecture from the late Heian period, designated as an important cultural property of the country, called "Nagatsuko."
[Architectural Mystery] Why are there no "walls" at all?
Upon entering the precincts, what first catches the eye is the "Nagatsuko," supported by a massive thatched roof.
There are 44 thick columns, each about 45 cm in diameter, arranged at equal intervals, and astonishingly, there are "no walls or doors, creating a completely open space."
It is said to follow the "Shinden-zukuri (noble residence style)" from the late Heian period to the early Kamakura period, but who exactly built such a special structure and for what purpose? How do you deduce it?
A "spacious atmosphere" that breaks down class barriers
One theory suggests that it was a dojo where "yamabushi (ascetics)" performed rigorous training, and recent research has proposed a very interesting view that it was a large space for shrine officials to gather without hierarchy for banquets (hospitality), regardless of status.
Because there are no walls, the wind flows through, and class barriers are removed. It feels as if the generous ancient atmosphere is conveyed.
Hida's craftsmen and Amanojaku? "Seven Wonders of Nagatsuko"
The mystery of Nagatsuko is not just in the structure of the building. Locally, there are "seven wonders" associated with this hall that have been passed down.
- Birds do not perch on the roofs of the three shrines.
- Birds do not build nests in Nagatsuko.
- Mosquitoes do not enter Nagatsuko.
- Only in the northwestern corner of Nagatsuko, there are no boards laid down.
- Even if a fire breaks out in the village, no more than two houses will catch fire.
- The chestnut bears fruit in its first year.
- A bear comes and pays homage at the shrine.
What is particularly interesting is "number 4."
According to legend, a craftsman from Hida vowed, "I will build this worship hall in one night!" and worked diligently. However, a mischievous yokai named Amanojaku imitated the crowing of a rooster (Cock-a-doodle-doo!), causing the craftsman to mistakenly think, "Has dawn already broken...?" and he stopped the construction, leaving one corner of the floorboard unfinished.
One cannot help but feel the humor and folkloric romance of the past in the deliberately left "imperfection (gap)" of this perfect building.
The 800-year-old giant ginkgo and the footprints of the Genji
Standing majestically in front of this long hall is the giant ginkgo (a natural monument of Kitakata City) that reaches a height of 30m and a trunk circumference of 7.7m.
It is said to be 800 years old, and it is recorded in Edo period books (Shinpen Aizu Fudoki) as an ancient tree that has existed since the shrine's founding.
Embark on a journey to feel the overwhelming beauty of space and the breath of history
How was it?
Standing between the pillars of the long hall without walls and gazing at the golden ginkgo leaves dancing in the autumn breeze, one is enveloped in a strange sensation of sharing the same time as the ascetics and warriors of the Heian period.
At "Tabinoito," we offer tours in the [Academic style] that guide you through such overwhelming beauty of space and precious cultural properties like the nationally designated important cultural property "Monju Bosatsu Riding a Lion" in the treasure hall, accompanied by deep explanations from our guides.
"Not just to see in photos, but to experience the pathway of wind created by the 44 pillars" and "to enjoy an intellectual 'aha' experience where the dots of history connect"
If you feel this way, why not join us for an adult fieldwork to unravel the deep architectural mysteries of Aizu? We look forward to the day we can discuss the seven wonders of the long hall with all of you.
